If your talent is moving, shoot at a higher shutter speed to avoid motion blur that may otherwise ruin the chroma key effect. Also, take into consideration the background plate you will be using so that you can light your subject to match the scene seamlessly. First off, make sure your green screen is evenly lit so that your NLE will have an easier time isolating the color for removal.
In the video below, Armando Ferreira shows off how to properly go through the process of chroma keying inside Adobe Premiere Pro CC 2017.īefore getting started with keying, you’ll need to follow some essential guidelines to shoot your footage correctly. While the concept of chroma keying seems simple (the process of removing a single color to leave only your subject in the frame), it may be hard to achieve depending on multiple factors such as how your footage was shot, right down to even whether or not your editor has decent chroma key plug-ins.
Whether you’re at a professional film studio pulling off a meticulously crafted alien battle scene or simply want to do a floating head shot for your production, green screen setups are more often than not used for the job. Selecting a region changes the language and/or content on ’s no secret how ubiquitous the use of green screens are in filmmaking. “Because editing capabilities change every few months,” explains Apley, “it’s important to be continuously learning.” As long as your lighting is set up correctly, there are countless ways to introduce fascinating new backgrounds to your projects within the world of chroma keying. Keep your eye on the latest tutorials and updates to Premiere Pro through resources like Adobe Live and try out new ways to use Chroma Key tools in your videos. Watch how they did it and see the stunning result of their work. Creative studio Abby Priest experimented to discover whether or not they could use liquid paint as a green screen.
In your video editor, cut a simple matte (called a garbage matte) between the person and the edge of the green area, and remove the background beyond the line of the matte.Īnything solid in color can potentially be a screen for a keying project. Hold the pop-up screen behind the person or object you want to shoot. You can use these to shoot keyable footage on the go.
Look for small, fold-out background panels that resemble a round section of green screen.
Take it further with creative green screens. Just making that decision will save your project,” says Vavra. “As a beginner, it’s worth renting that hundred or so dollars’ worth of lights. You may also want to use a hair light to create a sharper line between your subject and background. These should be used to light the subject of your video. Next, get a 650-watt light and a 500-watt light, again with diffusion through a softbox or even white bedsheets. Vavra recommends renting two 1000-watt lights for lighting the screen itself and a method for diffusing, like softboxes, to put around them. The best types of lights for green screen footage. “That kit seems like it’s solving all your problems, but it’s introducing an entire world of new problems,” says producer and director Martin Vavra. These types of kits typically include one or two lights sufficient to light your subject only, which will create a patchy background that will be time-consuming and difficult to remove in your video editor. Cheaper green screen kits you can buy online are not going to cut it on their own.